Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts

Friday, June 22, 2012

10 Saved by the Bell Episodes I Love - #4. "The Aftermath"



"The Aftermath," the second chapter in our Dark Jeff Saga, is full of memorable moments, ranging from the absurd (Lisa's desire to be the sole owner of rapper MC Hammer's physical being) to the ridiculous (Zack and Kelly's song--A12 on The Max's jukebox--is a generic soft jazz number that wouldn't sound out of place in a department store elevator or a classy soft-core porn) to the emotionally sublime (Zack's meltdown when confronted with the myriad pictures of Kelly [AKA, promotional shots of Tiffani Amber Thiessen in various teenagery outfits] adorning the inside of his locker).  It's those raw teenage emotions that make this episode so special.  The emotions and that sweater.  Holy crap.  Where did Zack get that thing, Cliff Huxtable's garage sale?


If you've ever been dumped by the head cheerleader--and haven't we all?--or anybody that regularly let you awkwardly grope her in a parked car, then you know how Zack feels.  It feels downright shitty to get dumped, and for all it's abject silliness, "The Aftermath" at least gets the shittiness of shattered teenage love right.


So, Zack and Kelly are broken up (awwwww!) and Kelly is dating her boss, Jeff (wooooooooo!).  Zack does his best to forget Kelly on his own, even briefly considering doing his homework for the first time ever, but ultimately turns to the gang for help.  His friends set him up on three blind dates with three different stereotypes (motormouth, fatty and generic babe), but nothing really works out.  He does use Date #3, Screech's bleach-blonde cousin, to make Kelly jealous, but this only results in a slap to the face and a chocolate milkshake down the pants.


Of course, this being Saved by the Bell, everything is resolved in the final scene at Lisa's Sweet 16 party.  Zack apologizes to Kelly for being sad, Kelly continues to not apologize to Zack for basically cheating on him in "The Last Dance," and Zack shakes Jeff's hand and says the following load of bullshit: "Congratulations, Jeff.  You've got a great girl."  


I've been involved in two major break-ups in my life, both brought on by infidelity, and I have never once considered congratulating the piece of shit who ruined my life.  I mean, sure, my beef is technically with the young ladies who've cheated on me, but when you are in the throws of a full-on sadness spiral, who are you usually blaming?  Not the cheater.  Not yourself, probably the first person you should be blaming.  It's the other man or woman or sexual aid you were dumped for.  "Hey, congratulations, guy.  You've got a great girl.  Sure, she's prone to cheating or whatever, but I'm sure things will work out with you two."  Bullshit.


Fantasy Sequence: N/A


Totally Ridiculous: Zack takes all three of his blind dates to the same movie.


Favorite Line: 
Screech: Happy birthday, Lisa.  I poked holes in it so it could breathe.








Wednesday, June 20, 2012

10 Saved by the Bell Episodes I Love - #3. "The Last Dance"


"The Last Dance" begins a sequence of episodes I like to call "The Dark Jeff Saga."  To be fair, the Jeff character isn't necessarily evil or anything, I mean, he seems like a nice enough guy.  Sure, he sexually harasses an underage employee with the grace and ease of a seasoned lech, but, um, he's got nice hair. Actually, if you are already privy to how this "saga" ends, you know that Jeff is kind of an evil dude or, if you prefer, a fairly normal dude.  And dudes are assholes, man.  Deal with it.


Saved by the Bell touched on some heavy topics over its four seasons--drug abuse, gender equality, drunk driving, unemployment, homelessness, zits--but "The Last Dance" is the episode that affected me the most.  It still does.  It is, without a doubt, the most cringe-inducing episode of SBTB ever committed to film, and not just because Slater and Jessie sing a duet of "How Am I Supposed to Live Without You."  This is the episode where Zack and Kelly break up.  As a kid, this was too much for me to handle.  In my opinion, what Zack and Kelly had, well, that was true love.  They had the kind of relationship that could endure any storm, any obstacle, any college sophomore in a salmon-colored shirt.  It's remarkable how much this episode still gets to me.  If Zack and Kelly couldn't make things work, what chance do the rest of us have?


The writers set Zack up for devastation from the opening scene.  Zack, who was always wild about Kelly Kapowski, even before they became Bayside's hottest item, is especially smitten here.  And he never lets up.  The scene at the Maxx in which Zack thanks Jeff for giving "his girl" the night off to attend the costume ball, makes me want to sad-vomit.


So, anyway, Kelly gets a job at the Maxx to help out her family (Remember, Kelly is not only "the popular one," but also "the poor one.") and starts to develop an attraction for her boss, Jeff.  It's all very awkward and unconvincing.


Meanwhile, Zack Attack agrees to play Bayside's costume ball.  Um, yeah.


Jeff and Kelly kiss, Zack suspects something is up, and Bayside's cutest couple breaks up, dancing their last dance together to Jessie and Slater's rendition of the old Michael Bolton classic.  Done.


Honestly, this isn't a very good episode.  Screech's intelligence is beginning to evaporate, but he still scores some of the episode's best lines.  The acknowledgment that Zack Attack is a thing that exists is always welcome. And the gutterpunks who cause a scene during Kelly's first day on the job ("We're not payin' for this...garbage!") are personal favorites of mine. But, mostly this episode is just kind of meh.  The break up of Zack and Kelly however, always gets me down.  Plus, the events of "The Last Dance" set up the far superior next episode, "The Aftermath," which we will discuss at length next time.


Fantasy Sequence:  No fantasy sequence this time around, but we do get Zack Attack's "Make My Day," which totally rocks?


Favorite Line:
Screech: What a waitress!  She serves French fries like a real French person!



Wednesday, June 13, 2012

10 Saved by the Bell Episodes I Love - #2. "Beauty and the Screech"



I think Milhouse Van Houten said it best: "I'm not a nerd, Bart.  Nerds are smart."


Nerds are smart, so just what the hell are these monstrosities, referred to as "nerds," that populate the halls of Bayside High?  I'm getting ahead of myself.  I'll get back to this in a minute.  First, a plot synopsis.


Kelly wins two front row seats for the George Michael concert, but probably won't be able to go because she's failed her latest science test.  Seeing an opportunity to ease Kelly's suffering and get into her flower-print pants (probably), Zack asks Screech to tutor Kelly so she'll pass the next test, which is both a) conveniently later that week and b) worth 50% of the final grade. Weird, but whatever.  If Kelly passes, Zack postulates, she will not only be allowed to attend the George Michael concert, but she will invite Zack to go with her because Screech is his friend, I guess?  It makes sense to Zack, so, let's move on.


Screech--who at this point in the series is still smart, silly, and adorable--teaches Kelly about fusion, fission, and radioactivity.  Kelly, in turn, develops a crush on Screech, much to the chagrin of Zack and Slater.  Pretty soon every girl in school who isn't Lisa or Jessie is big time into Screech, which leads the gang into a group hallucination in which Zack and Slater are either nerds or severely developmentally disabled man-children with extensive lint and earwax collections, Screech is a tuxedo-clad secret agent, and Kelly wears a pepperoni pizza on her head.  Obviously, Max has slipped them all a mickey.  Probably why he disappeared after the first season.  You can't clandestinely drug teenagers and expect to get away with it forever.


As this is Saved by the Bell, Zack and Slater devise a ridiculous plan to break up Screech and Kelly, who, it should be noted, are not romantically involved in any way.  So, here's the plan:  Zack and Slater convince Mr. Belding that Screech and Kelly are engaged to be married and then, I don't know, Mr. Belding is going to force them to stop hanging out?  It's a dumb plan.  I don't even think Zack and Slater know the endgame on this one.  Belding does try to talk Screech out of his impending teenage wedding to Bayside's head cheerleader ("Screech, you can't elope!"  "Who are you calling a cantaloupe, you melon head?"), in a scene reminiscent of Frasier at it's best.  Or absolute worst.  You decide, Fraiser fans.


So, Kelly takes her test, gets an A, and invites Screech to the George Michael concert.  Screech hates George Michael and suggests they attend an "insect expo" ("I hear they've got a petting zoo this year!") to celebrate Kelly's achievement.  The duo realizes that they are better off as friends and a bummed Kelly Kapowski--there's an oxymoron--gives her tickets to Zack and Slater.  Cue the gay panic jokes.


Fantasy Sequence:  I already mentioned it in the synopsis (see: "group hallucination"), but I do want to briefly examine the Saved by the Bell universe's concept of what a nerd is.  Bayside's background nerds are smart, I guess, but mostly they are anthropomorphic dork costumes with goofy voices.  And pretty much all of them are autistic.  However, whenever Zack portrays a nerd character, as he does so memorably in "1-900-Crushed" and in this very fantasy sequence, he does so in the classic "dumb guy" voice.  Sure, he's wearing the Bayside Nerd's brightly-colored plumage, but he speaks and laughs in the way I've always imagined Big Moose of the Archie universe speaks and laughs.  Not only does he sound dumb, but he likes dumb things, dumb things your classic nerd would never be interested in (I hope), like earwax sculptures.  That's all.


Totally Ridiculous: It's kinda shitty of Dr. Mertz to discuss Kelly's "F" in front of the whole class like that, isn't it?  Pretty unprofessional, if you ask me.


Favorite Line:
Zack: Screech was being charming.  He was using a spoon.



Tuesday, June 12, 2012

The Most Ridiculous Moments in Saved by the Bell History: Part 2

9. The "pin ceremony": This ridiculous gem occurs during the gang's summer employment gig at the "posh" Malibu Sands Beach Club.  In an episode titled "My Boyfriend's Back," Stacey Carosi's college-aged "boyfriend" pops up unannounced to give Stacey his "frat pin" during an elaborate ceremony that involves a gong for some reason.  During said ceremony, Kelly is on gong duty, while Zack is expected to hold onto the ring until Blaine or Blair or whatever Stacey's dumb boyfriend's name is, asks for it.  First of all, no ceremony of this kind has ever happened anywhere ever in the history of mankind.  Second of all, putting Zack in charge of the ring?  That's a little dark, even for Leon Carosi standards.  I mean, that's not just a kick in the balls, that's a kick in one's soul's balls.

What is truly insane about this scene, thus making it one of, if not the most, ridiculous moment in SBTB history, is what Dirk--let's just call him Dirk--proclaims after affixing his frat pin to Stacey's shirt:  "Now you're my girl FOREVER!"  Forever, Dirk?  Is that what you think?  You presented a girl with your frat pin, whatever the hell that is, and now she is "you're girl?"   She's dating someone else, Dirk.  It's literally the guy who handed you your stupid frat pin.  RIDICULOUS!

10. Zack & Stacey: While we're on the subject of the summer romance between Zack Morris and Stacey Carosi, perhaps the greatest love story in modern history: Zack sure gets over Stacey in a hot second, doesn't he?  There he is, sitting in the sand, forlornly staring off into the horizon, when his friends surround him with their undying love and devotion and physical bodies AND in the very next episode, Zack's up to his old single, horndog ways.  That's the way Zack.  Love 'em and leave 'em.

11.  Screech's Secret Sauce:  This is so offensive:



12. The almost constant bullying of the weak and nerdy:  Sometimes (i.e. a whole helluva lot of times), Saved by the Bell resembles a celebration of bullying.  Sure, the "nerd" characters are cartoonishly outlandish, with their neon-colored pocket protectors, rainbow suspenders, high-waisted slacks and glasses straps, and gratingly irritating, but the glee with which our heroes denigrate and torture these characters is disturbing.  The gang gets a pass when it comes to Screech, after all, he's a friend, thus ball-busting is to be expected, but what about the other nerds/geeks/spazzes?  What did they ever do to deserve Zack and the gang's constant ridicule?  SBTB is lucky to have existed during a time when bullying was no big deal and popular kids were free to roam the school hallways relentlessly harassing dorks, dinks, fatties, weirdos, nerdballs, geeksticks, dipwids, tardos, durps, weakos and poor kids.  As someone who was rabidly popular in his youth, I miss those days.


13. The lip-synching glee club: Bayside's tragically untalented glee club--of which all our main characters are members, of course--lip-synchs to a cassette recording of a live performance by a college glee club, AND MR. BELDING BELIEVES IT IS ACTUALLY THEM!  


14. The Girls of Bayside swimsuit calendar:  Kelly, Lisa and Jessie--all members of the girl's swim team, because obviously--have no right to be angry at Zack and Screech.  They're obviously posing for these pictures.  You mean to tell me, Kelly, that when you are engaged in a casual post-practice locker room chat with your teammates, you stand with your hands on your hips and your head cocked flirtatiously to one side?  Bullshit!


Hey, hey, hey...what is going on here?  There are way more than 14 ridiculous moments in the history of Saved by the Bell.  What are you trying to pull, Giant Electric Penguin?  Don't worry.  We know.  There are literally tons more ridiculous moments to come this month.  Stay tuned.



Monday, June 11, 2012

10 Saved by the Bell Episodes I Love - #1. "The Substitute"



Saved by the Bell is undeniably silly and, as my list of its most ridiculous moments has and will continue to show, not-at-all based in any sort of recognizable reality.  The emotions ring true however.  As do the themes.  OK, fine, Zack, Slater, and Screech hire an actress to embarrass their substitute English teacher, the impossibly dreamy Mr. Tony Crane, to win back their women, which is crazy, but their reasons for doing so make complete sense.  Middle and high school boys are made to feel inferior to their older counterparts the moment the health teacher opens his/her dumb mouth and announces, "Girls mature much faster than boys."  From that point forward, unless you're a jock or hopelessly popular for inexplicable reasons, you are totally screwed.  Good luck getting a girl your own age to take you seriously.  This situation is brilliantly played out in "The Substitute."


"The Substitute" is one of the more charming episodes of Saved by the Bell, which is why I like it so much.  The plot, like all of the plots, is pretty basic: Mrs. Simpson, Bayside's mostly-deaf English teacher, throws out her back during a lesson on Shakespeare and is forced to take a leave of absence.  Tony Crane, a handsome male substitute, takes her place, and the girls are instantaneously smitten.  Fearful that they've lost Kelly forever to the clutches of a sophisticated older man, Zack and Slater call a truce and pool their money to hire an actress to pretend that she is Mr. Crane's sexy Russian fiancee, but the plan backfires when she attempts to seduce Mr. Belding.  Rather than turning the boys in, Mr. Crane goes along with the ruse and the girls fall out of love as quickly as they fell in.


Fantasy Sequence: Kelly, Lisa, and Jessie are preparing for their respective wedding days with Mr. Crane.  This promptly erupts into a fight over who is to be the true Mrs. Tony Crane.  Mr. Crane appears to inform the girls that he will not be marrying any of them as he is only a substitute and will eventually disappear from their lives forever.  "Who are we supposed to marry now?" they sadly ask.  Cue a tuxedo-clad Screech.


Totally Ridiculous: What is anyone actually learning in Mrs. Simpson's class?  She isn't discussing Shakespeare in any in-depth way, she's simply having students read scenes from Romeo and Juliet at each other.


Favorite lines:
Slater: It's only going to get worse, Preppy.  I've seen this in other schools I've been to.  Some smooth-talking teacher'll come in, and before you know it, he's stolen all our women.
Screech: He's going to take our mothers?!?



Tuesday, June 5, 2012

The Most Ridiculous Moments in Saved by the Bell History: Part 1

1. Kevin the Robot: Screech had a robot, so what?  Well, how about the fact that it is probably one of the most sophisticated examples of artificial intelligence in television history.  Kevin felt the gamut of human emotions, interacted flawlessly with the SBTB gang, and was apparently constructed and programmed by a social outcast who grew increasingly dumber as the series progressed.  I'm not suggesting that Kevin's existence is impossible, I'm emphatically stating that fact.  Kevin is a lovable extension of early-Screech's lovable geekiness, but his presence makes suspension of disbelief nearly impossible for me.  Zach has a closet full of elaborate, mostly female, costumes he readily dons when the need to spy on his friends arises?  Sure, why not.  Slater is the captain of literally every single sports team at Bayside High School?  Of course he is.  Screech built a robot? DOES NOT COMPUTE!  DOES NOT COMPUTE! ERROR! ERROR!

2. Slater's "dance": Man, the producers of SBTB sure let Mario Lopez show off his dance moves a lot.  Too bad they were the same three or four moves every time.  Really, Kelly?  This is what you want happening next to you at the dance contest?  You do know American treasure Casey Kasem will be watching, right?



3. Zack owns and regularly uses a ham radio:  Bullshit.


4. Buddy Bands: In "The Friendship Business," the gang is assigned to start a business and sell crap to their fellow students.  Zack and his friends decided to manufacture and sell friendship bracelets, which were the style at the time.  Zack eventually gets drunk with power and his friends abandon him to start a new business and sell a new product.  That product: Buddy Bands, the friendship bracelet for your forehead.  Not only do Buddy Bands look totes bitchin', but they apparently get you tons of hot chicks. The student body goes gaga for Buddy Bands (really?) and Zack quickly finds himself out of business. It all works out in the end or whatever, but we're still asked to believe that at least for a little while,  colorful headbands were totally the hip, new trend.



5. Lisa's birthday wish: It's understood from the very beginning of the series that Zack is the cool guy, Jessie is the overachiever, Slater is the jock, Kelly is the girl-next-door, Screech is the insufferable geek and Lisa is the rich girl.  And as the rich girl, Lisa demands the finer things in life.  In Season 3's "The Aftermath" (one of my favorite episodes, by the way), Lisa reveals to her friends her ultimate birthday wish: MC Hammer.  Not an MC Hammer cassette or an MC Hammer performance at her birthday party, but MC Hammer himself.  Lisa Turtle wants a human being for her birthday.  Ridiculous!


6.  The Bayside driver's ed car is a golf cart: ...and the students learn the delicate art of vehicular operation by driving said golf cart AROUND ORANGE CONES.  INDOORS.


7-8. Lisa's ridiculous fashions/Zack and Lisa's single episode romance: Beautifully present in one smooth-lookin' clip.


Stay tuned.  There are so many more ridiculous moments to remember in the coming weeks.



Friday, June 1, 2012

It's all right...

July is Saved by the Bell Month @ GEP!!!
(We're so excited!  We're so excited!  We're so...scared?)




Wednesday, April 25, 2012

Perving Out: Whatever the Weather

I spent most of last week watching CNN, HLN, Fox News, and reality shows (Hardcore Pawn; some hunk of shit called Auction Hunters, which is basically [or, exactly] a rip-off of Storage Wars, only one of the guys has stupid tattoos all over his dumb, bald head). I was visiting my in-laws, so I really didn't have much of a say on what we all sat down to watch after the kid went to bed, and that's fine. I'm not complaining. Well, I am, but not, you know, seriously. I mean, I didn't spend the entirety of our visit arms crossed, frowny faced if that's what you're thinking.


When we weren't watching CNN describe the manner in which George Zimmerman was chained for his first court appearance or the Etan Patz slideshow for the fiftieth time, we watched the local news. My wife's parents live in South Jersey, so they watch the news out of Philadelphia. NBC 10, if we're being specific, and why shouldn't we be? Now there's really nothing that special about the NBC 10 newscast...oh, wait, yes there is. Say hello to NBC 10's smoking hot meteorologist, Sheena Parveen.






Wow. All we have in North Carolina is this barrel-chested, oak tree of a man who calls himself "Big Weather." Lucky Philadelphians.





Friday, February 17, 2012

Variations on a Theme: Mr. Belvedere

Variations on a Theme looks at television theme songs/opening credit sequences and breaks them down for the average viewer.



Program: Mr. Belvedere (1985-1990)

The Song: Who's singing this thing, Leon Redbone?

Oh, that's exactly who's singing Mr. Belvedere's theme song, "According to Our New Arrivals." What a title! Can you imagine the television show theme songs of today having titles like that? Can you imagine television shows of today even having theme songs? Networks don't want to ease you into anything with a nice song anymore. You'll have a quick little stab of music, like How I Met Your Mother (which, technically, is part of a longer song called "Hey, Beautiful"), or a catchy little instrumental theme, but gone are the verse-chorus-verse themes of yesteryear. This isn't to say I like "According to Our New Arrivals." It's weird. I admire it for its weirdness, but I can't say I enjoy it. It does, however, explain the show you are about to watch perfectly. Mr. Belvedere is here to not only dust your bookcases, answer your front door, and serve you tea, but to make you a better person. Mr. Belvedere is a butler for your soul. Or something.

The Opening Credit Sequence: I did watch Mr. Belvedere occasionally. However, I only remember the plot of one episode. It's the one where Wesley gets braces and is forced to wear headgear. I guess the Owens can afford to employ a British butler, but they can't provide their youngest child with anything but the most hideous headgear in the history of television. Anyway, Wesley's all depressed about it and he has a nightmare about being a monster of some kind. That's all I remember. I'm sure Mr. Belvedere makes it all better somehow. So, per usual, I'll have to glean what I can from the opening credit sequence to figure out exactly what Mr. Belvedere--the man and the sitcom--was all about.

First of all, how does a man who has been featured on the cover of World Focus magazine and lived a Forrest Gump-style existence, end up in Pittsburgh as Bob Uecker's butler? I mean, Belvedere really wants to get to Pittsburgh! So badly, in fact, that he hitchhikes! Maybe I should give Pittsburgh another chance.

Also, is Mr. Belvedere supposed to be a vampire or some other mythical creature who never ages? He's been portly, mustachioed, and besuited seemingly forever. Or for a long time anyway. Does he simply suck the life essence of those nearest to him as he buttles? Is he some sort of chunky, butlering incubus? Creepy.

(Stay tuned after the theme for a creepy word from Jif. What's wrong with that little boy?)


Tuesday, February 7, 2012

Tawdry Tuesday: Am I At The Wrong Address?

All right, what's going on here? I thought Melrose Place was all backstabbing bitches and illicit sex with other people's lovers, not missing wedding rings and lovestruck dental students. This show is totes not tawdry. It's lame. Did the internet lie to me? Not the internet!

Let's see. In episode four, "For Love or Money," Jake and his coke-snorting gal pal Perry, hump some paint onto a canvas and attempt to con a dopey LA hipster into thinking it was done by an exciting new artist--played predictably unconvincingly by Jake himself--only to have Jake grow a conscience and reveal that the whole thing is a ruse. What gives, Jake? Insta-consciences have no place in the world of trashy prime-time soaps. And in episode five, "Leap of Faith," Jane discovers she is pregnant and decides to have an abortion behind Michael's back, but doesn't and the episode ends. Listen, I didn't want Jane to get the secret abortion. I wasn't sitting on my couch, going, "C'mon, Jane, abort that thing! Abort it!" waving a pendant. First of all, I was laying on the couch. Secondly, who owns a pro-abortion pendant? What possible use could an individual have for one?

The Melrose Place of Season One is all about flirting with danger, walking up to the edge of tawdriness and deciding, "No thank you. I'm gonna do the right thing. Now let's go to Shooters and play pool, guys!" The show seems nervous to unleash the full crazy I know will become its ultimate legacy. It's waiting for the crazy switch to be thrown that is so frustrating. I've been able to get my tawdry fix from ABC's Revenge and the CW's Gossip Girl (Holy shit, Louis is, like, totally evil now! Who saw that coming?), but Tawdry Tuesday was designed for Melrose Place, and so far the show's been a total dud.

When does this thing heat up, Melrose fans? Is it when Heather Locklear moves in? My wife keeps mentioning Jane's crazy sister. Does she waltz in and mix it up a bit? I don't think I can take much more of Billy's goofiness and Alison's casseroles. Somebody blow up Melrose Place already! Sheesh!

Characters' tawdry pasts: Sandy's had a trailer park abortion; Jake is a former coke addict.

Things I've learned about LA: It is perfectly acceptable to pat a homeless street musician on the shoulder instead of giving him your spare change if you enjoy the music he is performing on his beat-up saxophone

It is super easy to get a job as a barista. You don't need to know anything about coffee, your interview will take exactly 30 seconds, and the ruder you can be to your future boss during said interview, the better.

But seriously...: How did Jake get a job at that coffee shop? Completely ridiculous!

Actual dialogue from the show: Jake: I always liked you in red. Perry: You always liked me in bed. (Ugh.)


Friday, January 27, 2012

Variations on a Theme: Perfect Strangers

Variations on a Theme looks at television theme songs/opening credit sequences and breaks them down for the average viewer.



Program: Perfect Strangers (1986-1993)

The Song: I kind of love the opening harmonica riff. Then that dude starts singing, and I expect everybody to pull Mentos out of their pants. Seriously. This song sounds like the world's longest and most earnest commercial for mint candies.

It's this earnestness, however, that makes me enjoy the song so much. No one should be this passionate about Perfect Strangers. I mean, I loved Balki's hijinks as a child, but, hell, Full House was appointment viewing when I was younger. Obviously, I didn't ask much from my sitcoms in the early 90's, just silly accents and occasional dances of joy. I also didn't think about the theme song when I was a kid. It was just this musical distraction keeping me from my weekly Balki fix. These days, as a grown man with a vast knowledge of kitsch and it's many benefits to the human body, I can fully enjoy a stupid song like "Nothing's Gonna Stop Me Now."

Here's a little look at my private life if you care: Every few months, me and my wife will randomly enter into some weird sitcom theme song sing-off. She'll sing a little "Growing Pains," I'll follow that up with "Family Matters" or my version of "Who's the Boss" ("There's a time for cats and a time for kittens/I like cats and kittens too."), she'll come in with a little "Charles in Charge," and I'll do a little "Full House." The point is, we know all of these songs by heart. I've known the Perfect Strangers theme song by heart since I was a young man. That's either really sick or kinda cool. Probably a combination of the two.

But these were songs you could memorize and sing over and over again. They were actual songs. Not great songs, but catchy, memorable, real ones, with verses and choruses and everything. And "Nothing's Gonna Stop Me Now" remains one of the best, even with its repetition of "on the wings of my dreams." That's a little clunky, if I'm being honest.

The Opening Credit Sequence: Pretty much gives us a quick overview of what's happened before the show proper. One of our heroes has traveled to the United States from a country where lightly-mangled English yields hilarious results ("America or Burst." Oh, that's rich.); the other is moving from the comfort and safety of the suburbs to the Big City for the first time. What will happen when these two mismatched goofballs join forces? Why, baseball games, short pants, and wacky slapstick comedy, of course! And that's basically what happens on any given episode, right? It's been a long time since I've seen it.



Saturday, January 21, 2012

100 Episodes I Love: #2. "Rapture's Delight" (American Dad) (Season 5, Episode 9)

When it comes to Christmas Specials, you can have your Grinches and your Rudolphs. If you want to spend the Christmas season watching Charlie Brown narrowly avoid suicide for another year, you go for it, man. I like my Christmas specials edgy, profane, and barely about Christmas at all. That's why American Dad's "Rapture's Delight" is not only one of the 100 Episodes I Love, but also my favorite Christmas Special of all-time, along with the sixth season's gorily fantastic "For Whom the Sleigh Bell Tolls." I guess what I'm saying is, American Dad consistently puts out the best Christmas-themed episodes of anything else on TV.

"Rapture's Delight" opens with the Smiths running late for church. The parking lot is packed--it being Christmas morning and all--and Stan is enraged that the pews are packed with phony, once-a-year Christians. To calm him down, Francine takes Stan into the supply closet/slow janitor's living quarters and has sex with him. When they emerge from the closet minutes later, the church is littered with discarded clothing and the congregation, including Hayley and Steve, the Smiths' children, are soaring into the heavens, buck-naked. Stan blames Francine for ruining his chances of being raptured, which causes a rift between them. After Stan chooses to pledge his allegiance to a man claiming to be Jesus Christ--He's not and he sexually assaults Stan in a trash-strewn alley! Merry Christmas, everybody!--Francine leaves him, meets the real Jesus in a 24-hour diner, and becomes the returned Messiah's girlfriend.

We now jump seven years into the future, to a post-apocalyptic America overrun by demons. Stan sits in a saloon, alone and hook-handed, drinking. He is approach by Jesus who tells him that Francine has been abducted by the Anti-Christ, a goofy villain inspired by the old Bat-Man show from the 60's. Stan agrees to help Jesus under one condition: as soon as Francine is safe, Stan gets to be raptured. Jesus agrees and with Roger's help, they infiltrate the Anti-Christ's headquarters and rescue Francine. During the battle, Stan is fatally wounded and Francine finds that he has been wearing their wedding rings around his neck since the day she left him. Stan demands that Francine and Jesus leave the Anti-Christ's lair, as he intends to blow it up. They do. Stan blows up.

Stan is now in Heaven, being led to his own personal paradise for all of eternity. His Heaven ends up being his home with his family on Christmas morning. It's a Christmas miracle!

Now, I'm sure most of you just read this and thought, "What the hell?!" Is this an American Dad episode for beginners? Probably not. It does however display one of American Dad's strengths over every other program associated with FOX's Sunday night Animation Domination block of television. AD doesn't give a shit. They do what they want to do, no matter how silly, weird, dark, or insane it sounds, and the results are, more often than not, amazingly successful. "Rapture's Delight" is a mini epic. It's also hilarious. Christmasy? Not so much.

Moments I Love

Roger: Oh, I love your religion! Virgin birth! Water into wine! It's like Harry Potter, but it causes genocide and bad folk music.
_____
Stan: Damn your clumsy Christmas sex metaphors!
_____
This explanation of the Ratpure for children:

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Steve's personal Heaven includes a buxom, scantily-clad woman riding a cheeseburger-pooping unicorn. ("Pepperjack cheese. It's my Heaven.")
_____
Roger: Didn't you hear the puppets? Demons are coming to rape our skulls!

Friday, January 20, 2012

Variations on a Theme: Shirt Tales

Variations on a Theme looks at television theme songs/opening credit sequences and breaks them down for the average viewer.



Program: Shirt Tales (1982-1984)

The Song: Oh, man, this shit is funky! You could make love to this song, you know, until the chubby little panda starts singing. That might be a mood killer. Depends on your partner. Maybe the thought of pantless, cartoon animals in message tees serenading your lovemaking is a turn on to him/her. They say it takes all kinds. I don't know why "they" say it, but "they" do.

The song starts with a funky, bass-heavy beat, but turns into a rather mundane ditty about the services the Shirt Tales provide once the lyrics kick in. Apparently the Shirt Tales can: help you out of a jam; motivate you in some unexplained way if you find yourself paralyzed with fear; and/or assist you when the going gets tough and/or rough. You know what that means: dead hooker disposal.

The Opening Credit Sequence: You know, I kind of feel like that milkman or postal employee (what is he?) who appears at the end of the Shirt Tale's opening credits and shrugs. I don't have any idea what it is the Shirt Tales can do. They have a sweet futuristic car that can fly or be a boat, but I assume their services are specifically catered to children. What problems could arise in a 5-year-old's life that would require the use of a rocket car?

I remember the Shirt Tales, but I don't remember their show. What kind of problems did they solve? What kinds of dangers did they face? Does the rocket car have guns on it? If so, do they fire bullets, G.I. Joe-style lasers, or flower petals? I think the Shirt Tales gang had magical t-shirts or something, but other than that, I'm right there with the confused mail-delivering milkman.

Tuesday, January 17, 2012

Tawdry Tuesday: The Old "Lost Wedding Ring" Routine

Melrose Place is set in a simpler time when computers were bulky, the GAP was still considered hip, and tired sitcom tropes were all the rage. How else do you explain "Lost and Found," the third episode of MP's premiere season. Billy uses a lumpy computer with the smallest screen imaginable (It looks like the kind of "futuristic" computer you'd see on a spaceship in an Italian sci-fi movie from the 1970's.) to type his first screenplay; the 90210 gang (Ugh! Why won't they go away?!?) discuss Kelly's love life while shopping for jeans at the GAP; and Jane loses her wedding ring during a raucous night on the town with a couple of musicians. Didn't I see this same plot on Perfect Strangers once? If not Perfect Strangers, then every other situation comedy ever taped before a live studio audience. The old "lost wedding ring" routine is a fairly standard bit of business. I guess I just wasn't expecting it so soon.

The wedding ring in question is Jane's. After two failed attempts to celebrate her and Michael's Three-Months-in-Los-Angeles anniversary--because that's something people do--Jane opts for a night at Shooters with Rhonda. Sandy--she of the laughable Southern accent--convinces Jane to remove her wedding ring for the evening to see if she's still got "it." Jane, who is only 23-years-old and most certainly still has "it," obliges and before long,she is whisked away to a dance club by a long-haired, Percy Shelley-quoting, wannabe rock star.

(Re: whether or not Jane's still got "it": While perusing my notes before writing this review, I noticed a blurb scribbled next to the episode title in my notebook which read "Jane is bot!" Fairly certain that Jane Mancini is not, in fact, a cyborg, I believe I meant to write "Jane is hot." And she is hot! That's the "it" everyone's talking about, right? Josie Bissett is drop-dead gorgeous. Why would her character be unsure of said hotness? Dumb.)
Anyway, the rocker goofball wants to speed things up a little, so Jane admits she is married. To prove it, she reaches into her coat pocket to retrieve her ring--a Mancini family heirloom from the old country--and finds that it is missing. She searches the entire dance club, but finds nothing, and returns home intending to tell Michael everything. Michael, however, feeling awful about blowing Jane off at the hospital, has filled the apartment they share with candles and chili dogs. Ah, romance.

Just before the Mancini's get down to some sexy business, Jane decides to come clean about her wild (?) evening. Before she can reveal how totally non-wild it was though, Sandy shows up at the front door with her wedding ring, which she found in a trash can at Shooters. God is in His heaven and everything is right with the world once again. Credits.

Also in this episode...

--Billy finishes his screenplay, "The Big Shock," and asks Alison to read it. She hates it. To soften the blow, Alison makes Billy a tuna casserole. Billy gets mad for five whole minutes.

--Kelly Taylor tries to seduce Jake while they make a lasagna. Jake rebuffs Kelly's advances. Later, the couple is visited by an actress Jake has hired to accuse Jake of being a "crumb bum." Kelly leaves, hopefully forever.

Questions:

1. Was every character on this show an English major in college? Everyone is always making and/or understanding literary quotes that I don't even get and I was an English major in college!

Answered Questions:

1. It's official: Michael is an actual doctor. He's dressed in scrubs, on call, and hanging out in a hospital break room anyway. I'd be pretty surprised if he is simply running some sort of long con, but this is Melrose Place, so, who knows.

Lost Alum Alert:

--Nestor Cabornell (Richard Alpert on Lost) plays a bass player Rhonda and Jane meet at Shooters.

Friday, January 13, 2012

Variations on a Theme: The Archie Show

Variations on a Theme looks at television theme songs/opening credit sequences and breaks them down for the average viewer.



Program: The Archie Show (1968)

The Song: So, yeah, I'm sorry. "Everything's Archie" is, quite possibly, the catchiest song ever recorded. On top of that, it is really, really stupid. These factors working together are enough to irritate even the most patient of significant others.

The Opening Credit Sequence: First of all, The Archie Show's opening credits were designed to illicit seizures from its viewership, correct? What other explanation is there for the near-constant flashing? I have never experienced any strobe-induced seizures, but I've found as I get older that it gets harder and harder for my brain to withstand any sort of repetitive, flashing nonsense. I have to watch this sequence through laced fingers, eyes squinted. You might be asking, "Why do you have to watch this at all?" to which I can only respond, good point.

Secondly, why is it so important that Jughead is present? His drumsticks seem to be doing all right without him.

And are we to believe that Hot Dog is The Archies' band leader? That seems a tad dubious, no?

Tuesday, January 10, 2012

Tawdry Tuesday: LA's Mild Side

For a TV show with a softcore porn soundtrack, Melrose Place is surprisingly wholesome. Married people kissing. Reminders to practice safe sex. Jake's chaste relationship with Kelly Taylor. Where's all the rampant bed-hopping and wanton good times I was promised. This is Tawdry Tuesday, man! A frequently-shirtless Billy is no longer titillating enough.

I cheated and read one or two Netflix descriptions of future episodes to find out whether or not things would start "heating up" at 4616 Melrose Place anytime soon. Here's what I got:

Episode 3--"Lost and Found": Alison is impressed that Billy has worked on his screenplay all night. He drops off his completed screenplay, and she reluctantly agrees to read it.

Hmmm. That doesn't seem very sexy on the surface. Maybe Billy is writing a sexy period piece about young society ladies who find themselves yearning for one another sexually. That might be hot. What else you got for me, Melrose Place?

Episode 9--"Responsibly Yours": Billy, while driving his taxi through crowded streets, spots a lady driver in distress. He offers to help but is not an expert in auto repair. Jake stops to talk to Michael.

OK. First of all, this episode is called "Responsibly Yours." Responsible people very rarely engage in condom-free one-night stands or hot and sweaty Hollywood orgies, so there's probably none of that.

Secondly, "Jake stops to talk to Michael?" Is that supposed to excite me? "Wow, I can't believe Jake is going to take a few minutes out of his schedule to converse with Michael! I wonder if it's going to be like that time he had a conversation with Michael in Episode 2. I can't wait to see what they talk about. This could possibly be the most important conversation in television history! Squeeee!"

Speaking of Episode 2, let's speak about it briefly. It is titled "Friends and Lovers," but don't whip out your boners just yet. Very little love is made, and what there is of it is made by married people offscreen. Gross.

In "Friends and Lovers," Billy gets a job as a cab driver. His first fare is a young woman named Marcy. They bond over their mutual hatred for fake people/love of Italian food. Before you know it, Marcy is spending the weekend with Billy and Alison. Alison is bummed, though she can't really explain why. I think it's pretty obvious that she and Billy will hook up eventually, but for now I'll just assume she was pissed off because Marcy ate her last grapefruit.

Anyway, as their weekend of romance comes to a close, Marcy expresses her love for Billy, who freaks out--understandably--and goes to resident high school fingerer, Jake, for girl advice. Billy tells Marcy that she is moving too fast and that he does not feel the same way she does and Marcy swallows a bottle of pills and drowns in the Melrose Place swimming pool.

No she doesn't. She just goes home and studies for her dental exam.
Look, I get why Marcy fell in love with Billy so fast. He is endlessly charming. He's also nice. I know that's an innocuous description for someone, but, in this case, it is apropos. Billy is simply a nice dude. I get why Alison is jealous of Marcy. Billy is genuine and kind and handsome. Dammit, I want to be with him. Not "be with him" be with him, just, you know, hang out with him. We could go to Shooters, down a couple of brews, shoot some pool--bro shit. If things got a little intimate while calling it a night, then so be it. There's worse things you can do than sleep with Andrew Shue probably.

Also in this episode...

--Jake gets in a fight at the unemployment office and Kelly bails him out of jail.

--Jane's feelings get hurt when Michael cannot remember the exact moment he fell in love with her.

--Steve Sanders attends a barbecue/pool party at Melrose Place for some reason. Seriously, why is he there?

Questions:

1. Why is Michael the building manager? When Jake complains about his faulty plumbing, Michael gets all combative and pissy. It's your job to listen to resident complaints and fix them, dude. But also, you're a doctor (possibly), Mike! Do you really need the building manager gig on top of that? Your wife already thinks you spread yourself too thin and her legs not enough. Why not choose one job and bone your wife on a regular basis?

2. Marcy is clearly mentally unstable, but is she stupid as well? During a "getting to know you" chat, she makes Billy guess what she "does for a living." He guesses teacher or lawyer; Alison guesses astronaut. They're both wrong. What does Marcy do for a living? She's a dental student. How do you "make a living" as a dental student? No one pays you to be a student, do they?

3. Also, doesn't Marcy owe Billy a shitload of money? She hired his cab and proceeded to spend the entire weekend with him.

Thursday, January 5, 2012

100 Episodes I Love: #1. "A Milhouse Divided" (The Simpsons) (Season 8, Episode 6)

It seems appropriate to start this latest feature with an episode from my favorite television series of all time, The Simpsons. I've been a Simpsons fan from the time my parents bought me the very first Simpsons Christmas Special on VHS. I've stuck with it through bad times (Can we pretend that awful Cheech and Chong episode never happened?) and good, and remain a fan to this very day. I know it's "cool" and "hip" and "now" to drone on and on about how The Simpsons' glory days have long since past, but I find that this sentiment is usually uttered by people who no longer watch the show on a regular basis. I, on the other hand, do continue to enjoy The Simpsons. And speaking of Christmas Specials, did you see the most recent one? It was really good. You owe it to yourself to seek it out. So, yes, I am a Simpsons fan and I plan to pass this nerdy fandom down to my daughter, in the hopes that she will pass it along to the next generation of TV-watching Lawsons.

But I'm not here to defend The Simpsons of today, but rather to look back at The Simpsons of yore--ye olde Simpsons, if you will but probably shouldn't--back to one of my favorite episodes, "A Milhouse Divided."

First, let me just come right out and say something: I am apparently fascinated by animated stories about divorce. This will become clearer as the 100 Episodes I Love series continues, but for now, I'm afraid I don't readily have an answer as to why this phenomenon exists. It just does. "A Milhouse Divided" is an a-go-go of divorce, with everybody from the Van Houtens to the Simpsons themselves falling under it's tragic spell.

The episode starts nicely enough, with Marge throwing an intimate dinner party to shake her family out of the dull rut of TV trays and pantless dining it has grown accustomed to as of late. The fact that Kirk and Luann Van Houten, parents of Bart's dorky best friend, Milhouse, announce their intention to get divorced during a round of after-dinner Pictionary, certainly isn't Marge's fault, though she feels terrible about it, prompting a classic life lesson from Homer: "Stop blaming yourself, Marge. Just blame yourself once and move on."

Luann seems to thrive after the break-up. Kirk's life, however, becomes a downward spiral of misery: he loses his plush job at the cracker factory, is forced to move into a filthy bachelor apartment, and has his car stolen by a wig-swapping receptionist from a local AM radio station named Starla. He does find the time to record a single though, a melancholy tune called "Can I Borrow A Feeling?," but the odds of getting radio play diminish after Starla takes off. Kirk warns Homer not to take his own marriage for granted, explaining that divorce could happen to any couple. Homer is unconvinced until he finds a package of hot dogs thawing in the sink instead of a home-cooked meal one evening.

Homer makes a series of desperate attempts to save his marriage, which he is now convinced is headed for the inevitable, but his actions only make things worse. Seeing no other alternative, Homer gets a quickie divorce (somehow) and throws an impromptu second wedding in the living room, this time inviting Marge's friends and family and hiring a hip rock trio ("Hope you guys like The Doobie Brothers, 'cause we've got one of them.") to play the reception. Inspired by Homer's romantic gesture, Kirk makes one of his own, performing a live version of his terrible, terrible song. Luann is unimpressed and Kirk is escorted outside by American Gladiator and Luann's new boyfriend, Pyro. Thus begins Kirk Van Houten's run as The Simpsons' most pathetic secondary character. More hopelessly pathetic than Principal Skinner and Moe combined, in my opinion, which is sort of why I love him so much.

Moments I Love

Bart: If you really want us to be neater, you'd serve us out of one long bowl.
Marge: You're talking about a trough. We're not going to eat from a trough.
___
Kearney Jr.: I sleep in a drawer
___
Kirk: I sleep in a racing car. Do you?
Homer: I sleep in a big bed with my wife.
Kirk: Oh. Yeah.
___
Kirk: You're letting me go?
Boss: Kirk, crackers are a family food. Happy families. Maybe single people eat crackers. We don't know. Frankly, we don't want to know. It's a market we can do without.
Kirk: So, that's it? After twenty years, "so long, good luck?"
Boss: I don't recall saying good luck.
___
Homer apparently maintains a poker shack in the swamp.
___
Homer: Good morning, Marge. I was thinking about how much I enjoy your interests, so I wandered over to that theater you went to last night and I bought tickets to their entire season. Look! Mostly Madrigals. Hey, that might be good. Oh! Oh! An Evening With Philip Glass. Just an evening?!? Voices of the Elderly. Mmmmm.
___
Marge gets her hair done at The Perm Bank.
___
Homer: I'd like to file for divorce.
Lady at Courthouse: These things happen. Eight dollars.
___
And, of course, Kirk's awful, awful song.

Tuesday, January 3, 2012

Tawdry Tuesday: It Begins

Before I married my wife and we bought our first house, I lived in a musty, dilapidated, horseshoe-shaped apartment complex that me and my friend/roommate, Jonathan, affectionately referred to as "the shitty Melrose Place." Our first week there, one of the neighbors visited--she was the only neighbor I ever met or said more than one word to the entire time I lived there--and welcomed us to "the 'hood." She probably just meant "the neighborhood," but as a twenty-something white male who had seen Boyz in the Hood and various other films of its ilk, I was sure she was welcoming me to my demise, probably at the hands of a stray bullet from one of those drive-by shootings you read about.

But bullets don't have hands--not even stray ones--and poor people typically don't steal from poor people, so our time spent in "the shitty Melrose Place" passed without any violent incidents. There were non-violent incidents aplenty, but I never heard any gun shots or pimp slapping. There was a funny smell coming from another neighbor's apartment one time, that prompted Jonathan to inquire, "Is that what crack smells like?" We never found out for sure whether or not it was crack, but I like to believe it wasn't.

Here are the things I knew about Melrose Place--the television show, not the cockroach-infested, mold-choked hellhole I lived in during my mid-twenties--before I started watching it for this feature:

1. It was a spin-off of Beverly Hills, 90210, another prime-time soap on Fox that I didn't watch.

2. Heather Locklear joined the cast at some point.

3. A crazy lady blows up the titular apartment complex in a special two-part episode.

That's it. I didn't know the characters, I didn't know the story, and, frankly, I didn't care very much. But then one afternoon, while listening to the Extra Hot Great podcast, I heard a pop-culture critic talking about the aforementioned exploding Melrose Place two-parter with such mirthful gusto, I knew I had to see it for myself. But I'm a completist at heart, so, obviously, I had to start from the very beginning. So, here we are.
If you're not familiar with Melrose Place's characters, allow me to provide a quick cheat sheet. Keep in mind that I've only watched the pilot at this point, so these are my first impressions.

--Alison Parker (Courtney Thorne-Smith): A cute, but totally sexless blonde from the Midwest, who moved to LA to break into the exciting world of advertising. I mention her lack of sex appeal only because this is Melrose Place and I was under the impression that everyone here was sexy and maladjusted. Alison is kinda meh, but the pilot sets her up as the show's focus, so maybe she'll grow on me.

--Billy Campbell (Andrew Shue): Melrose Place's frequently shirtless struggling writer. He's irritating, but not in an overly offensive way. He rescues Alison from her boss's unwanted sexual advances in the pilot, so I guess he's not all bad. He can't dance for shit though.

--Jake Hanson (Grant Show): The damaged bad-boy. Ugh. He's also the way in for 90210 fans, because I guess he fingerbanged Kelly or something.

--Jane Mancini (Josie Bissett): Clearly, Jane doesn't understand how being a doctor in a hospital works. She is always on her husband's case about working late, but the man is a doctor, for Pete's sake. Give him a break, Jane. All of that aside, Jane is, by far, the least irritating character in the cast. The prettiest too.

--Michael Mancini (Thomas Calabro): Jane's doctor husband and the building manager. He seems like kind of a prick, if I'm being honest.

--Rhonda Blair (Vanessa A Williams): Melrose Place's resident African-American stereotype.

--Sandy Harling (Amy Locane): A struggling actor from the South. What part of the South, I'm not entirely sure. In which state do people speak in horrible Southern-parody accents? She's the worst and from what my wife tells me, she doesn't stick around very long.

--Matt Fielding (Doug Savant): A nice, normal social worker who dresses in weird hip-hop-themed clothing for some reason. He is also not irritating. Yet.

So, let's talk about this pilot real quick. I'm not going to provide a long, boring plot synopsis, because, frankly, nothing really happens in the episode. We're briefly introduced to each character, so by the end we know what each one of them is about (Rhonda is an unlucky-in-love aerobics instructor; Jake is down-on-his-luck and being stalked by a high school girl; Sandy is a dumb whore; etc). The episode spends most of it's running time with Alison: her roommate moves out in the middle of the night, she doesn't have enough money to pay her $800 rent (I don't know for sure, but isn't that a steal in LA? Let me know in the comments, LA people.), she meets Billy who expresses a desire to move in, she resists but eventually gives in, she is invited to an important party by one of her bosses, she walks in on Billy dancing with a mop, and her boss tries to drunkenly have sex with her. That's the pilot, or half of it, at least.

The other half of the pilot focuses on Kelly Taylor (Jennie Garth) from 90210 stalking Jake. He agrees to have dinner with her, but her friends--Donna, David, and Steve--ruin everything and Jake drives off, handsome and broken, into the Hollywood night on his motorcycle.

Can we talk about Jennie Garth real quick? Pretty girl, but is she an albino? She's either an albino or a ghost, I just can't decide which. I'll check Wikipedia.

As I may or may not have mentioned yet, Melrose Place's pilot is not very good. It's contrived, boring, and relies to heavily on 90210 cameos. However, I never once considered turning the damn thing off. Maybe it's because I've committed to the series for this yearlong feature and feel like it would be disingenuous to give up before I've even truly begun. Pilot episodes are rarely any good. Maybe part of the reason I didn't throw a brick through my television is because I'm kinda interested in watching Alison and Billy's relationship develop or learning more about Matt and his obsession with urban t-shirts or discovering the answer to my most important question: Jennie Garth: Albino, ghost, or albino ghost? Seriously. How do you live in California all of your life and stay that pale?

Questions:

1. Do we know for sure that Michael is actually a doctor? He mentions being at the hospital a lot, but maybe he's an overly ambitious janitor or a weird hospital pervert.

2. Is Matt gay or just extremely insensitive? He basically tells Rhonda that he is repulsed by her when she opens her heart to him by the pool. My guess is that he's gay.

3. The 90210 drop-ins stop eventually, right? They're really distracting and add nothing to the show. My guess is that these cameos were a note from the studio.

One more thing:

I like the fact that Melrose Place is about characters who are struggling. They aren't privileged teenagers from Beverly Hills, nor are they working actors, successful businesspeople, or independently wealthy. Alison is a receptionist. Billy teaches a dance class at night regardless of the fact that he doesn't know any dance moves. Jake is an out-of-work contractor. Sandy is a waitress at Shooters who sleeps until noon every day. It'll be interesting to watch these characters develop over time. I also look forward to shit goin' crazy. That actually sounds like a good slogan for one of Matt's rap tees.


Sunday, January 1, 2012

2012 @ GEP

It's a brand-new year, so I'm changing things up a little at the ol' blog-a-roo. There will be no theme months this year. Instead, there will be one yearlong theme. From here on out--at GEP anyway--2012 shall be referred to exclusively as...

THE YEAR OF TV

Yes, we're narrowing our focus to the world of television this year. I'm pretty excited. Here's the line-up so far:

most Tuesdays: Tawdry Tuesday--Join me as I watch the original Melrose Place in it's entirety. Things are going to get so sexy, you might just want to wear two condoms. (I assume readers of this blog already wear one condom when they stop by GEP. If I'm wrong about this, let me know in the comments section.)

most Wednesdays: Reality Bits--Did you know that there are currently over 1 billion reality shows in existence? That's a lot of garbage. No one could watch every episode of every reality show out there--why would anyone want to?--but I'm going to watch/subject myself to some of them and report back to you. Don't weep for me. I considered it my duty.

most Thursdays and Saturdays: 100 Episodes I Love--Like 100 Songs I Love, only about TV shows. Duh.

And much, much more...

And while it's true that I am narrowing my focus in 2012, I am not abandoning the features you've come to know and love. So look out for new editions of 100 Songs I Hate, Movie Penguin Monday, Stop Already, Perving Out, and 100 Songs I Love, as well as a few new ones I'm still figuring out.

Wednesday, December 28, 2011

My Best Whatever of 2011

It's the end of another year and that means a "best of" list, but since I didn't listen to enough albums or read enough books released in 2011 and I don't post my Top Ten film list until Oscar night, I don't have much on which to reflect. So, here is a random list of things I enjoyed this year. Enjoy or something.

1. Favorite Book Discovery of 2011:
The Hunger Games Trilogy

2. Favorite Musical Discovery of 2011 (Swedish heavy metal):
Ghost's Opus Eponymous

3. Favorite Musical Discovery of 2011 (Non-Swedish heavy metal):
Joanna Newsom's The Milk Eyed Mender

4. Best New TV Character (Comedy)
Schmidt (New Girl) (pictured here portraying Sexy Santa)

5. Best New TV Character (Drama):
Emily Thorne/Amanda Clarke (Revenge)

6. Best Returning TV Character (Comedy):
Leslie Knope (Parks and Recreation)

7. Best Returning TV Character (Drama):
Richard Harrow (Boardwalk Empire) (...but what's he gonna do without Jimmy???)

8. Worst New TV Character:
Prince Louis (Gossip Girl)

9. It's Always Sunny in Philadelphia MVP of 2011:
Dennis (seen here collecting his "tools")

10. Best TacoCorp Idea of 2011:

MyFace

11. Favorite Movie of 2011 So Far:
Drive

Tomorrow: My 10 Favorite Podcasts of 2011 & GEP's Unanswered Questions Answered At Last!!!