
1. Zombies
2. Nazis
3. Getting lost in the desert
4. The Tasmanian Devil
I've since learned that most of these things aren't real. I mean, c'mon, an immense, arid area of land covered by nothing but sand? Maybe in Super Mario Bros. 2!
Oasis of the Zombies combines three of my worst childhood fears--zombies, Nazis, and deserts--yet fails at being anything but fairly horrible. It starts off good enough: two young women with ample posteriors crammed into tight-fitting shorts find themselves in an abandoned oasis somewhere in Africa. Why a twosome of college-aged females are traveling alone through the desert in a jeep is never explained, nor is the reason they decide to sightsee in a place full of abandoned weaponry, swastikas, and human skulls. The camera follows close behind the scantily clad coeds (thank you, Max Monteillet) as they explore the desolate surroundings. Eventually, as is usually the case in cursed, African oases, brain-hungry zombies rise up from the sand and eviscerate our buxom duo. From here we are expected to wait a full forty-five minutes before France Jordan exposes her breasts for the first time. In the words of one of America's living legends, how rude!

So, why is the oasis infested with zombies? I'm getting to that! Several years after the end of WWII, a ruthless treasure hunter and his lovely assistant pay old man Blabert a visit in his palatial African home. After learning the oasis's location, the treasure hunter--who either wasn't given a name or I just forgot what it was--murders Blabert and sets off to claim the Nazi gold thought to be worth over six million dollars as his own. Needless to say he and his crew are dispatched by a cadre of hideous, rotting zombies.
And what a dastardly crew of living dead they are. There's Half-Skull, One-Eye Zombie, my personal favorite; Zombie With Pinhole Eyes, who sort of just looks like a dude wearing a shitty mask; Mr. Chapped Lips, the zombie desperately in need of lip balm; and Pokey, the bug-eyed zombie; plus a variety of zombies with earthworms falling off their faces.

The second part of my made up conundrum was this: how and why did the these dead Nazis turn into zombies and what reason do a bunch of shuffling, intestine-eating corpses have to guard a hidden cache of gold? It's not like they can spend it anywhere--they live under the sand in a fucking desert. But seriously, why are they zombies? Who turned them into zombies and for what sinister purpose? Oasis never answers this question, but to be fair I never really asked it until now when I thought it would be funny. Once the girl in the blue shorts was out of the picture, I ceased to give a flip.
I know, I know--you're dying to know what happens once Robert Jr. and his badly-dubbed friends show up at the oasis of the damned. Do they find the gold and blow all of it at iTunes? Do they use it to buy new uniforms for their university's rugby team? Or do they simply get torn to shreds by hideous Nazi zombies? I'll give you a hint: it's the last one.

The final scene of the movie is my very favorite. Robert Jr. and his girlfriend have somehow escaped from the climactic zombie attack and are lying face down on a sand dune waiting to shrivel up and die. The Sheik, who is also Robert's grandfather, rides up to the young couple on the back of a camel and watches them quietly. Robert slowly comes to and meets his grandfather's gentle gaze. The Sheik frowns and asks:
The Sheik: Did you find what you were looking for?
Robert: I mainly found myself.
The balls on this guy! I mainly found myself? What an insufferable prick! He took his closest friends in the world out to a cursed oasis crawling with Nazi zombies on a quest to find himself? His friends were disemboweled and eaten alive so he could discover some elusive truth about his innermost being? His girlfriend had to be forever traumatized by watching her college chums be torn limb from limb and consumed whole while they screamed in agony and begged God to make their deaths as swift as possible just so Robert Blabert Jr. could become a man worthy of the Blabert legacy?
You suck, Robert. Seriously.
